I giganti - proposta download

Dangerous — David Guetta base karaoke. Vento sulla luna — Annalisa base karaoke. Io sono — Paola Turci base karaoke. Settimana bianca — Il Pagante base karaoke. Medley Dancing queen — Fernando — The winner takes it all Karaoke — Boomdabash base karaoke. Il mercante di stelle — Sal Da Vinci base karaoke. Canzoni a caso. O donna gloriosa — Canto Liturgico base karaoke. La chiocciola — Casadei base karaoke. Baby It s You — v4 The Beatles base karaoke.

A word in spanish — v2 elton john base karaoke. Chiedi chi eano i Beatles — Lucio Dalla base karaoke. Tutte le basi karaoke di Sanremo Scaricale Gratis. She uguale a lei — pausini base karaoke. I Giganti are presented to us with songs closely related to the Italian Beat movement and not always aged in an excellent way.

But, after all, this compilation I don't know who to really recommend it here in ProgArchives. Review by Warthur Prog Reviewer. Review by apps79 Special Collaborator Honorary Collaborator. With Vince Tempera later with Il Volo on keyboards, future Area's bassist Ares Tavolazzi and a couple of more guests, I Giganti offered a great work, split in two side-long suites and listed among the first true Italian Prog albums.

Depending on the lyrics, the music swirls from intense and passionate passages to softer and accesible parts. I Giganti really surprise on most of the album's length with the inventive arrangements presented.

From the guitar-based Heavy Rock to the dramatic Mellotron-drenched Symphonic Rock and the adventurous Progressive Rock with sudden breaks and shifting moods, the four members of the band prooved why they were a band with potential already since their early years.

But there are lots of smoother moments with acoustic guitars leading the way along with pianos and a light rhythm section, definitely having a very Folk approach and always serving the main purpose of the concept. Vocals are also very well-performed, either speaking for the romantic individual performances of the members or the multi-vocal harmonies dominating the album.

Originally divided into 11 pieces, the whole concept is very tight and cohesive with the musicianship being always challenging throughout the album.

After another single in I Giganti disbanded for good with some members involved in various prog-related projects like Marsella playing on the Track album from and guitarist Di Martino playing in Avant-Rockers Telaio Magnetico and later in Albergo Intergalattico Spaziale. More recently Sergio Papes decided to reform the band, which still plays live in the new millenium.

As with all conservatives countries around the time, ''Terra in bocca'' was banned by the Italian media. However the several reissues wll give the opportinity to the starved prog fan to listen to this very good prog work from early's. Some of them, like the Vinyl Magic 89' edition, has a slightly compressed running time 44 instead of the original 46 minutes , propably coming out of the demo tapes of the album.

Overall highly recommended, both from a historical and musical point of view. Review by Mellotron Storm Prog Reviewer. Piano follows as the tempo picks up. The rest of the way we get loads of mellotron and different vocal styles as the tempo and mood changes constantly.

This is good. Mellotron too then it fades as spoken words take over. It builds before 5 minutes with drums, piano and guitar standing out. Like the first side we then get frequent tempo and mood shifts while the vocals, keyboards and mellotron dominate. There's no way I can give this more than 3 stars, but if your into concept albums and RPI then this will probably be right up your alley.

The issue here is heavier, and full of breaks, imagine a movie of persecution, those full of action. The guitar the sole issue, the band follows closely. The voice enters with what I imagine to be a flute or a keyboard very good. But the guitars are they highlight it. And that voice that just are multiplied in the melody that is the main part and also the most beautiful.

Many 'uhuhus' the track too. Here once again the thing changes, a theme all broken and full of fear. The four vocal really make much difference for the music I Giganti here the Gentle Giant would be inspired? Both in name and in several vocal? Some echoes of King Crimson here, some blows, parts broken, much suspense in the air.

The battery reminds me rather the lines of Nick Mason Pink Floyd. An abrupt cut and more A sequence with a quiet and beautiful and melodic voice and piano sensational. After the sensational voice, yelled, torn, dying to tell what you want when the party is only with bumbo and incredible voice gives a sense, then, can dance and boogie baby, happy to be a little, we get back to you all the melancholy that brings the disc.

Back the boogie with their vocal support worthy of the title of great. The chapel of folk round for a moment, renaissance. But little hard, the guitar and vocal torn back, but that will come from-and-tunes laughter. What vocal barbarians in honor of a friend. The noises of the mind? From what I understand very little of the Italian now you get the emotion of the spoken voice, before returning to singing in breach of hand.

And also the whole quebradeira. After the music character 'dead ends so banal,' but not the disk! Classic absolouto! If this is not recognized as a major world records of prog and even by Italian is pure lack of curiosity and attention of their own proggers, which are wrapped in the mesh of the main names of the genre!

Wake staff! For the Italian prog buff Giganti's "Terra in Bocca" is an important early title as it was one of the very first of the Italian classic period canon. Released in it was the work of a band previously known as one of the successful Italian beat bands of the s, forming in and based in Milan.

The album itself is really a special one. Sensitivities in Italy about issues relating to the mafia caused the music to be banned by Italian radio of the time. Featuring two connected side long suites the album feels very ambitious like the Pholas Dactylus classic but is more naturally engaging.

I am also reminded of the band Raminghi whose beat roots came through in their '70s work but Giganti succeed on a greater level, combining a wonderful Sicilian folk sound with progressive rock. You get to hear these noted Italian prog musicians well before they achieved success in their respective bands. The music of Terra is an absolute treat. As many mention, it is true that this album is not as outwardly "weird and wild" as some of the period albums would become, and there are not long extended instrumentals.

But it is no less rewarding. The music rests on a bed of emotional, spicy piano playing and soft mellotron. The acoustic guitars are crisp and vibrant, played with a bold passion while electric leads have a gritty yet reserved bite, a compressed distortion.

While not a consistently hard rock album they certainly dig in their heels in a few places. Occasionally flutes add a nice touch to the edges. But the real magic of Terra rests in the songwriting, the arrangements, and especially in the vocals. These guys can sing and harmonize very well, it is pure joy to listen to their dramatic emotional delivery throughout.