Plot plan template

To create a 3D object that can be seen in 3D camera views, you can edit the shape of the Terrain Perimeter to match the plot plan polyline. If you wish, you can use the Text tools in plan view to add length and bearing information for each edge of the plot plan. Home Designer Professional has the capability to show the length and bearing of each polyline edge. Last Modified: July 20, Spelling and grammar is mostly accurate. Mistakes do not hinder understanding.

Creativity and imagery are used effectively helps to tell the story. At least three Textables are included in plot diagram. Creative elements clipart are somewhat distracting.

At least two Textables throughout their plot diagram. Creativity is minimally apparent, and the overall design shows a lack of effort. Clipart may be confusing and distract from the story. Student used one or fewer Textables. Spelling within the Textables is mostly correct fewer than eight errors. Grammar does not hinder understanding. Spelling within textables is somewhat correct fewer than 10 errors. Grammar may hinder some understanding or make reading difficult.

Spelling is mostly incorrect 10 or more errors. Grammar severely hinders understanding. There are three complete slides: one for beginning, one for the middle, and one for the end. Slides explain the work of prose and are easy to follow. There are three cells, but one or two do not depict the correct element within the work of prose e. Story is somewhat difficult to follow. One or more cells is missing. Only one part of the plot is represented e.

Story is hard to follow. Cells have many descriptive elements, and provide the reader with a vivid representation. Cells have many descriptive elements, but flow of cells may have been hard to understand. Cells have few descriptive elements, or have visuals that make the work confusing.

Work is well written and carefully thought out. His stated purpose is to help with the writing process itself.

Or at least give you a vehicle to help you get together everything you need in order to write your book. The Great American Novel template provides lots of ways for organizing your writing project including folders and color coding. He also includes what he calls an Obsolete Files folder, which I think is an excellent idea. This folder acts as a repository for ideas you may have had and discarded, revisions, drafts, and so forth.

These are maintained on the off chance you may need or want to readdress them for some reason. Have you started writing your own Great American Novel several times? Perhaps using this template would help you to finally finish it. This book template is courtesy of Damien Benoit-Ledoux. This is a very clean, well laid out outline for a book. Each of the 30 chapters has a purpose, basically taking you by the hand and leading you through the creation of your masterpiece.

At a very basic level, it can teach you how to write a novel. You will also find some of the typical ancillary templates and folders for things like character sketches, historical events, objects, and back matter. This conclusion is reached due to an observation that there exists a common pattern in the narrative elements of nearly all great myths.

Using this template or outline will help you create and clarify conflict and enable you to keep your characters moving forward on pace. You probably know this outline without even being aware of it. Many of today's blockbusters are built on this plot pattern or outline.

An author of historical and speculative fiction, K. Weiland is also the author behind several books around the outline and structure of novels. The initial version of the book outline template that bears her name was created by one of her readers, one Stuart Norfolk.

Jump ahead and K. This template provides you with some initial folders meant to help in the prep stage. Help on creating your outline, notes on character development, and catchall for all your worldbuilding details. Then she provides you with the manuscript section. If you follow this, you are pretty much mirroring her footsteps as she builds her story. Did you even realize there was so much help available for those seeking to learn how to write a novel?

Courtesy of Tony McFadden , we have this Scrivener novel outline. According to Tony, all good fiction—at least good fiction written in the last years—follows a specific development arc broken down into four parts. In part one, you have a goal. The first plot point is where our hero leaves behind the status quo and his quest—whatever it may be—begins. At about half-way into the book, act two should begin.

Our hero is now reacting to whatever brought about the change of status quo. But when you analyse their work, you will usually discover that the stages are in fact. So what gives? But the fact is that there are certain things that tap into our human psyche. For each of the stages write a few sentences, or a paragraph which describe how that stage manifests in your novel.

Read through the entire thing and make sure it flows and makes sense. Make adjustments for consistency. You may decide to reorder the stages, add new ones, or remove some. Following the stages fairly closely is the easiest way to take advantage of the patterns of the collective unconscious. Deviating from them is to be encouraged, but you have to be aware of the impact it will have, and realise you may have to work harder and use other techniques to engage the audience and keep them emotionally hooked.

Good luck with your plot outlines! Please share your plot outlines and other plot outline resources in the comments! The plot structures below are available as free downloadable PDFs, but there is a better way to use them. You are given the option to add and delete your own stages, sort them into acts, and drag and drop them into the order you prefer. Get a free trial of the Novel Factory to see it in action. If you like these, you may also like our free book writing worksheets.

The protagonist begins with something missing from their existence, even though they may not be aware of it. Through the story, they learn why they feel incomplete and must face their demons and deepest fears in order to evolve as a person and become whole.

The protagonist is unfulfilled in their normal life. An invitation, threat, or attack, perhaps. Based on characters having personal character arcs and motivations that conflict with the romance aspect. Foreshadow the conflict that will create challenges for the romance to come. When the two main characters first meet it is extremely likely that they will hate each other on sight.

Show how they are from different worlds, with strongly contrasting views on life. Due to external factors, the characters are forced to spend time together, and even to cooperate to achieve a goal. They are still at odds, but the sparks are kindling some fire… A friend may even comment on it, but the couple-to-be both hotly deny there is an attraction.

The Hero's Journey, as proposed by Joseph Campbell, trimmed to the bone and applicable across all genres - not just sword-wielding fantasies. To begin with, you set the scene and introduce the main character. The protagonist often expresses reluctance to answer the Call to Action. They may be afraid or feel poorly equipped for such a challenge.

Sometimes the reluctance is expressed by a supporting character, not the hero. The mentor is a character of authority to the protagonist. They provide advice and useful gifts, such as weapons or talismans. The mentor often reflects the tone of the story - a tragedy will have a one who is toxic or destructive or one who is already dead , a children's fairytale will have a benevolent all-knowing one, a dystopia may have an unreliable one.

The mentor is usually a recurring character. A fairly detailed structure that explains how to develop the sleuth's inner character journey alongside solving the crime and uncovering deeper conspiracies. Mysteries and crime thrillers often begin with a prologue in which the inciting crime takes place. The first crime is very likely to be a murder or kidnapping. This is from a POV that is not the main protagonist, it may be from the point of view of the victim, the killer, or an omniscient narrator.

Next, we meet the sleuth, who is the protagonist.